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	<title>Comments on: The iTunes/iPod Combo as a Reverse Razor/Razor Blade Business Model</title>
	<link>http://www.antitrustreview.com/archives/582</link>
	<description>News and commentary about antitrust, economics, technology, policy</description>
	<pubDate>Fri, 21 Nov 2008 14:54:33 +0000</pubDate>
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		<title>By: Antitrust Review &#187; The Beginning of the End of DRM for Music?</title>
		<link>http://www.antitrustreview.com/archives/582#comment-3194</link>
		<author>Antitrust Review &#187; The Beginning of the End of DRM for Music?</author>
		<pubDate>Fri, 21 Jul 2006 13:59:58 +0000</pubDate>
		<guid>http://www.antitrustreview.com/archives/582#comment-3194</guid>
		<description>&lt;p&gt;[...] From an antitrust perspective, DRM that restricts the choice of music player can create market power because they function as a technological lock-in: take Apple&#8217;s iPod, which will only play music downloaded from the iTunes Music Store, tracks ripped from a CD, or mp3 files without DRM protections (hence Yahoo&#8217;s claim that A Public Affair will play on any player). On the official Yahoo music blog, director of product management Ian Rogers wrote: &#8220;As you know, we&#8217;ve been publicly trying to convince record labels that they should be selling MP3s for a while now. [...]&lt;/p&gt;
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		<content:encoded><![CDATA[<p>[&#8230;] From an antitrust perspective, DRM that restricts the choice of music player can create market power because they function as a technological lock-in: take Apple&#8217;s iPod, which will only play music downloaded from the iTunes Music Store, tracks ripped from a CD, or mp3 files without DRM protections (hence Yahoo&#8217;s claim that A Public Affair will play on any player). On the official Yahoo music blog, director of product management Ian Rogers wrote: &#8220;As you know, we&#8217;ve been publicly trying to convince record labels that they should be selling MP3s for a while now. [&#8230;]</p>]]></content:encoded>
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